![]() ![]() These range from the seventh century to the present and include examples from China, Japan, Southeast Asia, the Middle East, Europe, and North America, in addition to a look at book traditions in Africa and Oceania. Each selection represents a specific moment in the development of what we know today as the book-from scrolls and bound illuminated manuscripts to paperbacks and formatted digital information. The Book by Design, featuring an array of books from the British Library's collection, focuses on the sensory experience of holding and reading these objects. Library of Congress Z232.F8F83 2006 | Dewey Decimal 686.2092Ī richly illustrated look at some of the British Library’s most beautiful books from around the world.įor centuries across the world, books have been created as objects of beauty, with bookmakers lavishing great care on their paper, binding materials, illustrations, and lettering. ![]() Expand Descriptionīenjamin Franklin's Printing Network: Disseminating Virtue in Early America With its probing look at the origins of modern copyright, The Author's Due will prove to be a watershed for historians, literary critics, and legal scholars alike. These struggles, in turn, crucially shaped the literary and intellectual practices of early modern authors, as well as early capitalist economic organization. The regulation of the press pitted competing interests and rival monopolistic structures against one another-guildmembers and nonprofessionals, printers and booksellers, authors and publishers. Along the way he demonstrates that the culture of books, including the idea of the author, is intimately tied to the practical trade of publishing those books.Īs Loewenstein shows, copyright is a form of monopoly that developed alongside a range of related protections such as commercial trusts, manufacturing patents, and censorship, and cannot be understood apart from them. Joseph Loewenstein traces the emergence of possessive authorship from the establishment of a printing industry in England to the passage of the 1710 Statute of Anne, which provided the legal underpinnings for modern copyright. The Author's Due offers an institutional and cultural history of books, the book trade, and the bibliographic ego. The Author's Due: Printing and the Prehistory of Copyright Gross, David Scott Kastan, Harold Love, Paula McDowell, Jane McRae, Jean-Dominique Mellot, Antonio Rodr'guez-Buckingham, Geoffrey Roper, William H. Brannon, Roger Chartier, Kai-wing Chow, James A. Eisenstein, the book includes contributions by Peng Hwa Ang, Margaret Aston, Tony Ballantyne, Vivek Bhandari, Ann Blair, Barbara A. In addition to a conversation with Elizabeth L. From early modern marginalia to the use of architectural title pages in Renaissance books, from the press in Spanish colonial America to print in the Islamic world, from the role of the printed word in nation-building to changing histories of reading in the electronic age, this book addresses the legacy of Eisenstein's work in print culture studies today as it suggests future directions for the field. ![]() Joining together leading voices in the field of print scholarship, this collection of twenty essays affirms the catalytic properties of Eisenstein's study as a stimulus to further inquiry across geographic, temporal, and disciplinary boundaries. Its path-breaking agenda has played a central role in shaping the study of print culture and "book history"-fields of inquiry that rank among the most exciting and vital areas of scholarly endeavor in recent years. Eisenstein's The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe (1979) has exercised its own force as an agent of change in the world of scholarship. Inspiring debate since the early days of its publication, Elizabeth L. ![]()
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